ATLANTIS, symphony number four, which was begun in the thirties, has the character of a prophecy of doom, influenced by the political unrest and artistic soul searching of that time, but by its release it must also have been seen as a dark prophecy of Latvia's future, after the invasion by the Soviet Army in 1940. It is a large-scale work, both in concept and in its orchestral realisation, including parts for a Women's chorus. It is perhaps the last completely free utterance of the Composer, who, like the greater of the Soviet composers, had to discover a voice which spoke individually whilst also pleasing the authorities who wanted a controlled art, understood by the "masses".
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